Steven Strunk Papers

The Steven Strunk Papers contains records of Steven Strunk's career, beginning with his time as a student at Julliard and continuing through his teaching, research, and composing work at the Catholic University of America.

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Language:English
Created: The American Catholic Research Center and University Archives 1965-2011, n.d.
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title Steven Strunk Papers : An inventory of Steven Strunk Papers at The American Catholic History Research Center and University Archives
spellingShingle Steven Strunk Papers : An inventory of Steven Strunk Papers at The American Catholic History Research Center and University Archives
title_short Steven Strunk Papers
title_full Steven Strunk Papers
title_fullStr Steven Strunk Papers
title_full_unstemmed Steven Strunk Papers
title_sort Steven Strunk Papers
publishDate 1965-2011, n.d.
publisher The American Catholic Research Center and University Archives
format Archival Material
physical 15 boxes, 20 feet
language English
description The Steven Strunk Papers contains records of Steven Strunk's career, beginning with his time as a student at Julliard and continuing through his teaching, research, and composing work at the Catholic University of America.
remotefindingaidurl_str_mv https://libraries.catholic.edu/special-collections/archives/collections/finding-aid.html
localfindingaidurl_str_mv /findingaids/cua/ead/strunk.xml
_version_ 1797751399183810560
spelling strunk Steven Strunk Papers An inventory of Steven Strunk Papers at The American Catholic History Research Center and University Archives Finding aid prepared by Marielle Gage. The American Catholic Research Center and University Archives 2012 101 Aquinas HallThe Catholic University of AmericaWashington, D.C. 20064 Finding aid encoded by Marielle Gage on 5/22/2017 English Descriptive Summary The American Catholic Research Center and University Archives 1965-2011, n.d. Steven Strunk Steven Strunk Papers 15 boxes, 20 feet The Steven Strunk Papers contains records of Steven Strunk's career, beginning with his time as a student at Julliard and continuing through his teaching, research, and composing work at the Catholic University of America. 323 English Biographical Note Born in 1943, Steven Strunk received his B.M. at the Boston Conservatory of Music in 1965 before attending the Juilliard School, where he received his D.M.A. in 1971. He joined The Catholic University of America as an assistant professor in 1973, before becoming an associate professor in 1977 and ordinary professor in 1992. He passed away in 2012. Dr. Strunk was an accomplished performer, instructor, and scholar. This collection reflects over thirty years of his teaching and composing career, as well as scholarly articles and research interests and administrative duties. Scope and Contents This collection comprises the personal papers and professional records of Steven Strunk, including selections of his correspondence, audio/visual recordings, and memorabilia. The dates run from the beginning of his education at The Julliard School, 1965-1971, to just before his sudden death in 2012. Series One, Student Works, contains binders from Strunk's time as a student at Julliard, 1965-1971.Series Two, Professional Work, relates to Strunk's career at The Catholic University of America ca. 1973-2011, but mostly undated, and is further divided into three Subseries:Subseries A, Research, contains assorted articles collected over the years by Strunk.Subseries B, Publications, are copies of scholarly articles written by Strunk.Subseries C, Conferences, contains materials produced by various academic and musical conferences attended by Strunk.Series Three, Teaching, 1972-2012, n.d., is divided into four Subseries: Courses and Coursework, Course Evaluations, Masters and PhD Dissertations and Compositions, and Advising and Faculty Meetings.Series Four, Subject Files, contains assorted records of interest that do not easily fit into other series. Dates are often missing, but most records can be assumed to originate from his time at The Catholic University of America, 1973-2012.Series Five, Music, contains compositions written by Strunk and others, mostly of unnoted dates.Series Six, Audio/Visual Materials, contains recordings of musical performances by Strunk and others, also undated. Arrangement The Steven Strunk Papers consist of six Series: Series 1: Student Work, 1965-1971, Box 1 Series 2: Professional Work, 1980-2005, n.d., Boxes 2-3 Series 3: Teaching, 1972-2011, n.d., Boxes 4-8 Series 4: Subject Files, 1972-2002, n.d., Box 9 Series 5: Music, n.d., Boxes 10-15 Series 6: Audio-Visual Materials, 1998-2011, n.d., Box 16 Restrictions on Access Series 3: Teaching, Subseries E: Student Grades and Papers is restricted. Index Terms This record series is indexed under the following controlled access subject terms. Places: Washington, D.C. Subjects: Jazz Music Music at CUA Acquisition Information Received in two donations by Elena N. Strunk in 2014. Processing Information Preliminary finding aid by W. John Shepherd. Full processing completed in 2017 by Marielle Gage. EAD markup completed in 2017 by Marielle Gage. Bibliography "In Memoriam: Steven Strunk." The Benjamin T. Rome School of Music http://music.cua.edu/in-memoriam/strunk.cfm Martin, Henry. "In Memoriam Steven Strunk (1943-2012)". Journal of Jazz Studies 8(1), Spring 2012, pp. 1-3. Schudel, Matt. "Steven Strunk, Catholic University Professor and Musician". The Washington Post, 07 March 2012. Detailed Description of the Collection Series 1: Student Work 1965-1971 1 1 Binder of Music 1965-1971 1 2 Binder of Music 1965-1971 1 3 Binder of Music 1965-1971 1 4 Binder of Notes and Music 1965-1971 1 5 Binder of Music 1965-1971 1 6 Binder of Music 1965-1971 1 7 Binder of Music and Examinations 1965-1971 1 8 Binder of Notes and Music 1965-1971 1 9 Binder of Notes and Music 1965-1971 1 10 Binder of Music 1965-1971 Series 2: Professional Work 1980-2005, n.d. Subseries A: Research 1996, n.d. 2 1 Assorted Articles 1 n. d. 2 2 Assorted Articles 2 n. d. 2 3 Assorted Articles 4 n. d. 2 4 Assorted Articles 4 n. d. 2 5 CUA Research n. d. 2 6 Class Notes for Atonal Music Theory by Robert D. Morris n. d. 2 7 Class Notes for Advanced Atonal Music Theory Vol. 1 by Robert D. Morris n. d. 2 8 Class Notes for Advanced Atonal Music Theory Vol. 2 by Robert D. Morris n. d. 2 9 Models for Beginners in Composition by Arnold Schoenberg n. d. 2 10 The Chromatic Fourth During Four Centuries of Music by Peter Williams n. d. 2 11 Standardized Chord Symbol Notations by Carl Brandt and Clinton Roemer n. d. 2 12 Musical Transformation and Musical Intuition: Eleven Essays in Honor of David Lewin ed. Raphael Atlas and Michael Cherlin n. d. 2 13 Models of Musical Analysis: Music Before 1600 ed. Mark Everist n. d. 2 14 Generalized Music Intervals and Transformation by David Lewin n. d. 2 15 Music Notebook n. d. 2 16 Balzer Medieval Polyphony n. d. 2 17 Berio Research n. d. 2 18 Comprehensive Musicianship n. d. 2 19 Counterpoint Research n. d. 2 20 Eastman Analysis n. d. 2 21 Electronic Composition Materials n. d. 2 22 CUA Electronic Music n. d. 2 23 Computer Programs n. d. 2 24 JJS Computer Article n. d. 2 25 RHY Output n. d. 2 26 A Berg., Vier Stucke n. d. 2 27 Contiquere Omnes Plans n. d. 2 28 Concerto for Chamber Orchestra Plans n. d. 2 29 Episodes Fl and Pno Plans n. d. 2 30 Quartet IV Plans n. d. 3 1 Research on Jazz 1 n. d. 3 2 Research on Jazz 2 n. d. 3 3 Research on Jazz 3 n. d. 3 4 Jazz at Mont. College n. d. 3 5 Ridder Collection: Jazz Titles and Jazz Albums n. d. 3 6 Mitchell Prophetiae Sibyllarum n. d. 3 7 Soupir Research n. d. 3 8 Notes on Academic Music Journals n. d. 3 9 OCLC Records n. d. 3 10 Richard Parks Lecture 1996 3 11 Theory at Other Schools n. d. Subseries B: Publications 2005, n.d. 3 12 Strunk C. V. n. d. 3 13 Computer Assistance in the Composition of Quartet No. 4 by S. Strunk n. d. 3 14 Articles by Strunk n. d. 3 15 Rejected Article Reviews, 2005 Subseries C: Conferences 1980-1992 3 16 International Computer Music Conference, 1980 3 17 The American Society for Information Science Annual Meeting, 1981 3 18 Society for Music Theory LA, 1981 3 19 Society for Music Theory LA, 1981 3 20 Society for Music Theory Yale, 1983 3 21 Michigan Conference on Music Theory, 1985 3 22 Society for Music Theory IU, 1986 3 23 Society for Music Theory IU, 1986 3 24 Society for Music Theory Baltimore, 1988 3 25 Society for Music Theory Austin, 1989 3 26 Stony Brook: Time Space and Drama in Recent Music, 1989 3 27 Society for Music Theory Oakland, 1990 3 28 Society for Music Theory Oakland, 1990 3 29 American Musicology Society Annual Meeting, 1992 Series 3: Teaching 1972-2011, n.d. Subseries A: Courses and Coursework 1972-2011, n.d. 4 1 Syllabus: Analytical Techniques I n. d. 4 2 Analytical Techniques I Received Notes n. d. 4 3 Analytical Techniques I Salrp and Todd on Obrecht n. d. 4 4 Analytical Techniques I Novack Pre-Baroque Analysis n. d. 4 5 Analytical Techniques I Levy on Gregorian Chant n. d. 4 6 Analytical Techniques I Straus on Palestrina n. d. 4 7 Analytical Techniques I Novack Resign and Order n. d. 4 8 Analytical Techniques I Bergquist Mode and Polyphony 1500 n. d. 4 9 Analytical Techniques I, 2011 4 10 Syllabus: Analytical Techniques II n. d. 4 11 Analytical Techniques II n. d. 4 12 Analytical Techniques II n. d. 4 13 Analytical Techniques II Beethoven Symphony 7 n. d. 4 14 Analytical Techniques II Forte on Scherker, Witlich n. d. 4 15 Analytical Techniques II Schumann, Dichterliebe n. d. 4 16 Analytical Techniques II Set Identification n. d. 4 17 Analytical Techniques II Small Forms n. d. 4 18 Analytical Techniques II Chromatic 19th Century Examples n. d. 4 19 Analytical Techniques II 20th Century n. d. 4 20 Analytical Techniques II Assignments n. d. 4 21 Analytical Techniques II Exams n. d. 4 22 Analytical Techniques II Final Exams n. d. 4 23 Analytical Techniques II Final Exams n. d. 4 24 Analytical Techniques II Summer, 2008 4 25 Analytical Techniques II Fall, 2011 4 26 Ear Training and Sight Seeing n. d. 4 27 Ear Training and Sight Seeing I n. d. 4 28 Ear Training and Sight Seeing I n. d. 4 29 Ear Training and Sight Seeing I n. d. 4 30 Ear Training and Sight Seeing I SS Jury n. d. 4 31 Ear Training and Sight Seeing II, 2005 4 32 Ear Training and Sight Seeing III n. d. 4 33 Ear Training and Sight Seeing III n. d. 4 34 Ear Training and Sight Seeing III Sight Melodies and SS Jury n. d. 4 35 Ear Training and Sight Seeing IV, Summer n. d. 4 36 Ear Training and Sight Seeing IV Sight Melodies and SS Jury n. d. 4 37 Ear Training and Sight Seeing Project n. d. 4 38 Form and Analysis, 1972 4 39 Form and Analysis Schedules n. d. 4 40 Form and Analysis Baroque n. d. 4 41 Form and Analysis Mozart n. d. 4 42 Form and Analysis 18th-19th Century n. d. 4 43 Form and Analysis 20th Century n. d. 4 44 Form and Analysis Assignments n. d. 4 45 Form and Analysis n. d. 4 46 Form and Analysis Exams n. d. 4 47 Form and Analysis I Summer n. d. 4 48 Form and Analysis II n. d. 4 49 Form and Analysis II Duplicates and Misc. Music n. d. 4 50 Counterpoint n. d. 4 51 Counterpoint n. d. 4 52 Counterpoint n. d. 4 53 Counterpoint I n. d. 4 54 Bridge Counterpoint n. d. 5 1 16th Century Counterpoint n. d. 5 2 16th Century Counterpoint n. d. 5 3 16th Century Counterpoint n. d. 5 4 18th Century Counterpoint Summer, 2009 5 5 18th Century Counterpoint, Summer n. d. 5 6 18th Century Counterpoint n. d. 5 7 ADU Counterpoint Originals n. d. 5 8 Composition Seminar n. d. 5 9 Composition Seminar n. d. 5 10 Composition Seminar n. d. 5 11 Composition Seminar n. d. 5 12 Fundamentals I Summer n. d. 5 13 Fundamentals I Test 1 n. d. 5 14 Summary of Chromatic Harmony n. d. 5 15 20th Century Harmony n. d. 5 16 Harmony I n. d. 5 17 Harmony I, etc. n. d. 5 18 Harmony Classes, Orpheus text, budgets n. d. 5 19 Grad Harmony Review n. d. 5 20 Harmony Assignment comments n. d. 5 21 Harmony II n. d. 5 22 Harmony II, etc. n. d. 5 23 Harmony III n. d. 5 24 Harmony III n. d. 5 25 Harmony III handouts n. d. 5 26 Harmony III tests n. d. 5 27 Harmony III Summer, 2005 5 28 Harmony III Summer n. d. 5 29 Harmony III, 2011 5 30 Harmony IV n. d. 5 31 Harmony IV handouts n. d. 5 32 History of Music Theory II n. d. 5 33 History of Music Theory II n. d. 5 34 Adv. Orchestration n. d. 5 35 Orchestration n. d. 5 36 Orchestration I n. d. 5 37 Orchestration I n. d. 5 38 Orchestration tests n. d. 5 39 Orchestration II n. d. 5 40 Theory Advisory Exams n. d. 5 41 Pedagogy of Theory, Summer n. d. 5 42 Appointments to Summer Sessions Instructional Staff n. d. 5 43 Summer Sessions n. d. 5 44 Summer Sessions, 2006 5 45 Study of Jazz n. d. 5 46 Set Theory n. d. 6 1 Set List Straus n. d. 6 2 Figured Basses n. d. 6 3 Schenker I n. d. 6 4 20th Century Music n. d. 6 5 20th Century Music Miscellany n. d. 6 6 Syllabi, Reading Lists, Schedules n. d. 6 7 Assignments and Syllabi n. d. 6 8 Assignments n.d Subseries B: Course Evaluations n.d. 6 9 Course Evaluations n. d. 6 10 Course Evaluations n. d. 6 11 Evaluation: Ear Training and Sight Seeing I n. d. 6 12 Evaluation: Ear Training and Sight Seeing II n. d. 6 13 Evaluation: Ear Training and Sight Seeing II n. d. 6 14 Evaluation: Ear Training and Sight Seeing III n. d. 6 15 Evaluation: Ear Training and Sight Seeing III n. d. 6 16 Evaluation: Ear Training and Sight Seeing III n. d. 6 17 Evaluation: Ear Training and Sight Seeing III n. d. 6 18 Evaluation: III n. d. 6 19 Evaluation: Ear Training and Sight Seeing IV n. d. 6 20 Evaluation: Ear Training and Sight Seeing IV n. d. 6 21 Evaluation: Ear Training and Sight Seeing IV n. d. 6 22 Evaluation: Form and Analysis II n. d. 6 23 Evaluation: Form and Analysis II n. d. 6 24 Evaluation: Form and Analysis II n. d. 6 25 Evaluation: Form and Analysis II n. d. 6 26 Evaluation: Counterpoint I n. d. 6 27 Evaluation: Counterpoint I n. d. 6 28 Evaluation: Counterpoint I n. d. 6 29 Evaluation: Counterpoint I n. d. 6 30 Evaluation: Counterpoint I n. d. 6 31 Evaluation: Counterpoint II n. d. 6 32 Evaluation: Counterpoint II n. d. 6 33 Evaluation: Counterpoint II n. d. 6 34 Evaluation: 18th Century Counterpoint n. d. 6 35 Evaluation: Composition Seminar n. d. 6 36 Evaluation: Harmony I n. d. 6 37 Evaluation: Harmony I n. d. 6 38 Evaluation: Harmony II n. d. 6 39 Evaluation: Accelerated Harmony II n. d. 6 40 Evaluation: Harmony III n. d. 6 41 Evaluation: Harmony III n. d. 6 42 Evaluation: Harmony III n. d. 6 43 Evaluation: Harmony III n. d. 6 44 Evaluation: Harmony III n. d. 6 45 Evaluation: Harmony III n. d. 6 46 Evaluation: Harmony III n. d. 6 47 Evaluation: Harmony III n. d. 6 48 Evaluation: Harmony III n. d. 6 49 Evaluation: Harmony III n. d. 6 50 Evaluation: Harmony III n. d. 6 51 Evaluation: Harmony III n. d. 6 52 Evaluation: Harmony IV n. d. 6 53 Evaluation: Harmony IV n. d. 6 54 Evaluation: Harmony IV n. d. 6 55 Evaluation: Harmony IV n. d. 6 56 Evaluation: Harmony IV n. d. 6 57 Evaluation: Harmony IV n. d. 6 58 Evaluation: Harmony IV n. d. 6 59 Evaluation: Harmony IV n. d. 6 60 Evaluation: Harmony IV m. d. 6 61 Evaluation: Harmony IV n. d. 6 62 Evaluation: Harmony IV n. d. 6 63 Evaluation: Orchestration I n. d. 6 64 Evaluation: Orchestration I n. d. 6 65 Evaluation: Orchestration I n. d. 6 66 Evaluation: Orchestration I n. d. 6 67 Evaluation: Orchestration II n. d. Subseries C: Masters and PhD Dissertations and Compositions 1990-2011, n.d. 6 68 Dissertation Proposals n. d. 6 69 Dissertations n. d. 6 70 Dissertations n. d. 6 71 Dissertations, 1989 6 72 Dissertations, 1990-1994 6 73 Dissertations, 1995-1999 6 74 Dissertations, 2000-2010 6 75 Emilio Mendoza, 1990 6 76 PhD Dissertation, "Theories of Similarity among Ordered Pitch Class Sets", John Anthony Ward, 1992 6 77 MA Thesis, "A Pitch Class Set Analysis of Alban Berg's Vier Stucke fur Klarinette und Klavier", Edward Ryan Fraedrich, 1992 6 78 PhD Dissertation, "The Relationship of Vocal and Choral Music to Selected Wind Band Masterworks of Holst, Vaughan Williams, Grainger, and Milhaud", Willis M. Rapp, 1998 6 79 PhD Composition, "Tower of Babel", Edward Madison Nassor, 2000 6 80 PhD Dissertation, "Tonal Organization in Selected Early Works of Aaron Copland", part 1, Richard Sayers, 2000 6 81 PhD Dissertation, "Tonal Organization in Selected Early Works of Aaron Copland", part 2, Richard Sayers, 2000 7 1 DMA Composition, "Mass", Edward Madison Nassor, 2001 7 2 Graduation Composition Recital, Sheet Music, Faye Chaio, 2004 7 3 Composition Jury, Candace Emberley, 2005 7 4 PhD Composition, "Lecture Recital with Four Compositions", Anthony W. Randolph, 2006 7 5 DMA Composition, "Lecture Recital with Three Compositions", Jason R. Lovelace, 2007 7 6 PhD Dissertation, "Jazz Elements in Selected Works of Leonard Bernstein: Sources, Reception, and Analysis", part 1, Lars Erik Helgert, 2008 7 7 PhD Dissertation, "Jazz Elements in Selected Works of Leonard Bernstein: Sources, Reception, and Analysis", part 2, Lars Erik Helgert, 2008 7 8 DMA Composition, "Lecture Recital", Ryan Keebaugh, 2010 7 9 Master's Thesis, "An Analytical Studey of Leo Ornstein's String Quartet No. 2", Andrew David Nicolette, 2011 7 10 DMA Composition, Phil Carluzzo n. d. 7 11 MA Composition, "Missa Fuldaensis", Rev. Killian Sullivan, OSB, n. d. 7 12 PhD Composition, "Bagdad, the Day After", Anthony Randolph n. d. Subseries D: Advising and Faculty Meetings 1973-2009, n.d. 7 13 Advising n. d. 7 14 Advising n. d. 7 15 Advising: Blank Forms n. d. 7 16 Registration Forms n. d. 7 17 "Preparing the Proposal", 1991 7 18 Faculty Minuties, 1973-1977 7 19 Faculty Minutes, 1983-1988 7 20 Faculty Minutes, 1989- 7 21 Meetings, 1993-1998 7 22 Faculty and Committee Minutes n. d. 7 23 Faculty Minutes n. d. 7 24 Faculty Activity Reports, 1991 7 25 Theory Meetings, 1996-1997 7 26 Theory Search, 1997 7 27 Theory Placement Policy Discussion, 1995-1996 7 28 Proposal: Masters of Music in Composition, Stage Music Emphasis n. d. 7 29 "My Thoughts on the PhD in Theory", S. Strunk, 2009 7 30 Notices to Faculty, Spring, 2000 7 31 Dean, 1993-2000 Series 4: Subject Files 1972-2002, n.d. 8 1 AAUP "Interesting": Faculty Benefits n. d. 8 2 American Composers Alliance n. d. 8 3 American Musicology Society, Directory of Members: Capital Chapter n. d. 8 4 Analysis and Techniques Syllabus, R. Ricks n. d. 8 5 Appointments n. d. 8 6 Assorted Playbills and Programs n. d. 8 7 "Autumn Leaves" n. d. 8 8 Bonic Music Orders n. d. 8 9 Broadcast Music, Inc. n. d. 8 10 Contemporary Music Forum n. d. 8 11 Contemporary Music Forum n. d. 8 12 Contemporary Music Project, Newsletters, 1972-1973 8 13 Correspondence n. d. 8 14 Correspondence, email, 1988-1991 8 15 DC Commission on the Arts and Humanities n. d. 8 16 Draft Inform n. d. 8 17 Employment, Steven Strunk n. d. 8 18 Faculty Vacancy n. d. 8 19 CUA Grant n. d. 8 20 CUA Grant Application, 2005 8 21 Site Visit, Howard University, 2002 8 22 In Theory Only, 1977 8 23 In Theory Only, 1977-1978 8 24 In Theory Only, 1978 8 25 In Theory Only, 1979 8 26 In Theory Only, 1981 8 27 In Theory Only, 1982 8 28 In Theory Only, 1985, 1992 8 29 Jones, G. T., "Elementary Harmony" n. d. 8 30 Montgomery College n. d. 8 31 Musicology Faculty n. d. 8 32 National Association of Composers, USA n. d. 8 33 NEA Grant, 1974 8 34 Promotional Material, Memorabilia 8 35 Sonata Form n. d. 8 36 "Prose Collection" by Christian Wolff n. d. 8 37 Photographs, unlabeled n. d. 8 38 Washington City Paper, Vol. 12, No. 10, March 6-12, 1992 8 39 Miscellaneous n. d. 8 40 Miscellaneous n. d. 8 41 Miscellaneous n. d. 8 42 Miscellaneous n. d. Series 5: Music n.d. 9 1 Assorted Music n. d. 9 2 Assorted Music n. d. 9 3 Assorted Music n. d. 9 4 Assorted Music n. d. 9 5 Compositions by Joseph Bao-Loc-Trung, SVD n. d. 9 6 "Farewell to Mother Land", Joseph Bao-Loc-Trung, SVD n. d. 9 7 Bebop Melodic Lines n. d. 9 8 Bebop Sheet Music from LC n. d. 9 9 "Seven Last Words", John Blakelock n. d. 9 10 "C-Score", John Blakelock n. d. 9 11 Music by John Benskin n. d. 9 12 Brahms Symphony No. 1 n. d. 9 13 "Three Pieces of Chorus", Nicholas Suarez E. n. d. 9 14 Compositions by C. T. Efantis n. d. 9 15 "Oblivion", Kyle Gullings n. d. 9 16 "Left of Christmas Day", Phyllis A. Harman n. d. 9 17 Music by Jonathan Hellerman n. d. 9 18 "Manship Dances", Sarah Horick n. d. 9 19 "Sonatina", Jean Y. C. Hsu n. d. 9 20 Songbook, "Jazz" n. d. 9 21 "Missa Soemnis", Jason R. Lovelace n. d. 9 22 Mozart Horn Concerto, K 447, I n. d. 9 23 "The Glowin Moon", Paul Nazzaro n. d. 9 24 "Nonet", Edward M Nessor n. d. 9 25 "Serenade for String Quartet", Edwward Nessor n. d. 9 26 "Poems of 1917", Leo Ornstein n. d. 9 27 Palestrina Anthology n. d. 9 28 "The Abyss" for soprano, piano, and cello, Carmelo Pino n. d. 9 29 Music by Willis Rapp n. d. 9 30 "Tierra de Promision", J. E. Rivera and D. Luzko n. d. 9 31 Music by Scott M. Simonelli n. d. 9 32 "Prisms", Steven Strunk n. d. 9 33 "Quartet IV", Steven Strunk n. d. 9 34 "Piano Quartet", Joseph Frederick Taylor n. d. 9 35 "Ode on Meloncoly[sic]", Joseph Frederick Taylor n. d. 9 36 "Turnpike" and "Versailles" n. d. 9 37 Webern Symphonie Op. 21 n. d. 9 38 Untitled Score n. d. 9 39 "Out in the Fields with God", Jay Parrotta n. d. 9 40 "In a Midst", Bix Beiderbecke n. d. 9 41 Transparencies n. d. 9 42 "Veggio nel Tuo Bel Viso", James D. Wagoner n. d. 9 43 "Grandfather's Clock", Henry C. Work n. d. 9 44 Unlabeled n. d. 9 45 "Night and Day" n. d. 9 46 "Night and Day" n. d. 9 47 "Quartet II", S. Strunk n. d. 9 48 "Quartet II", S. Strunk n. d. 9 49 "Quartet II", S. Strunk n. d. 9 50 "Quartet II", S. Strunk n. d. 9 51 "Quartet II", S. Strunk n. d. 9 52 "References", S. Strunk n. d. 9 53 "References", S. Strunk n. d. 9 56 "Clones", S. Strunk n. d. 9 57 "Piano Sonata", S. Strunk n. d. 10 1 Assorted Music by S. Strunk n. d. 10 2 "Spirit Lake" S. Strunk n. d. 10 3 "Transformations", S. Strunk n. d. 10 4 "War Dance", S. Strunk n. d. 10 5 "Luminous Tendril of Celestial Wish", S. Strunk n. d. 10 6 "Spirit Lake", S. Strunk n. d. 10 7 "Institution", S. Strunk n. d. 10 8 "Episodes", S. Strunk n. d. 10 9 "Quartet", S. Strunk n. d. 10 10 Unlabeled Music by S. Strunk? n. d. 10 11 "Segment", S. Strunk n. d. 10 12 "A Passage", S. Strunk n. d. 10 13 "Episodes", S. Strunk n. d. 10 14 "Quartet II", S. Strunk n. d. 10 15 "Organum", S. Strunk n. d. 10 16 "War Dance", S. Strunk n. d. 10 17 "Elegy", S. Strunk n. d. 10 18 "Music for Prospero's Story", S. Strunk n. d. 10 19 "Prisms", S. Strunk n. d. 10 20 "Quartet II", S. Strunk n. d. 11 1 "Clarinet Concerto", Sarah Horick n. d. 11 2 "Lux Infinita", Sarah Horick n. d. 11 3 Shui Mui Lee n. d. 11 4 "Concertino for Viola and String Orchestra", Joao Guilherme Ripper n. d. 11 5 Assorted Sheet Music n. d. 11 6 "Quartet IV", S. Strunk n. d. 11 7 "Conticuere Omnes", S. Strunk n. d. 11 8 "Conticuere Omnes", S. Strunk n. d. 11 9 Untitled Music by S. Strunk n. d. 11 10 "Contiquere Omnes", S. Strunk n. d. 11 11 "Spirit Lake", S. Strunk n. d. 11 12 "Concerto", S. Strunk n. d. 11 13 "Permutations", S. Strunk n. d. 11 14 "Orpheus", S. Strunk n. d. 11 15 "Elegy" and "War Dance", S. Strunk n. d. 11 16 "War Dance", S. Strunk n. d. 11 17 "Quartet", S. Strunk n. d. 11 18 Assorted Music by S. Strunk n. d. 11 19 Assorted Music by S. Strunk n. d. 11 20 Music, Teaching Aid? n. d. 11 21 S. Strunk Julliard Diploma for DMA n. d. 11 22 Timeline of Music n. d. 12 1 "Transformations", S. Strunk n. d. 12 2 "Transformations", S. Strunk n. d. 12 3 "Vanessa", Bernie Wayne n. d. 12 4 "I Hear Music", S. Strunk n. d. 12 5 "Cantata: The People Will Live On", S. Strunk and Sandburg n. d. 12 6 "The Palms", S. Strunk and Faure n. d. 12 7 Untitled Music n. d. 12 8 "Geometrics", S. Strunk n. d. 12 9 "Transformations: 3-6", S. Strunk n. d. 12 10 Julliard's Masters Diploma, S. Strunk n. d. 12 11 Untitled Music n. d. 12 12 "Transformations: 7-10", S. Strunk n. d. 12 13 Canata Score Masters n. d. 12 14 Assorted Sheets of Composition n. d. 13 1 "Concerto for Chamber Orchestra", S. Strunk n. d. 13 2 "Concerto for Chamber Orchestra", S. Strunk n. d. 13 3 Untitled Music n. d. 13 4 "Concerto for Chamber Orchestra", S. Strunk n. d. 13 5 "Transformations", S. Strunk n. d. 13 6 "Transformations", S. Strunk n. d. 13 7 "Geometrics", S. Strunk n. d. 13 8 "Contiquere Omnes", S. Strunk n. d. 14 1 Unlabeled Music n. d. 14 2 "Conticuere Omnes", S. Strunk n. d. 14 3 "Concerto for Chamber Orchestra", S. Strunk n. d. 14 4 "Geometrics", S. Strunk n. d. 14 5 "Geometrics", S. Strunk n. d. 14 6 "Transformations", S. Strunk n. d. 14 7 Teaching Aids n. d. Series 6: Audio/Visual Materials 1998-2011, n.d. 15 1 Unlabeled Magnetic Tape n. d. 15 2 Unlabeled Magnetic Tape n. d. 15 3 Unlabeled Magnetic Tape n. d. 15 4 Magnetic Tape: "Transformations", "Permutations", and "Music for Prospero's Story" n. d. 15 5 Magnetic Tape: "Transformations", "Episodes", "Music for Prospero's Story", "Quartet II" n. d. 15 6 Magnetic Tape: "Quartet IV" n. d. 15 7 Magnetic Tape: "Transformations", "Conticuere Omnes", "Quartet II", "Episodes" n. d. 15 8 VHS: "Vibraphone, trumpet and violen concerto" n. d. 15 9 Cassette Tape: "Strunk Concerto for Chamber Orchestra, Washington Chamber Orchestra" n. d. 15 10 Cassette Tape: "Dr. Steven Strunk, A Passage" n. d. 15 11 Cassette Tape: "Prisms 1982 by Steven Strunk" 1982 15 12 Cassette Tape: "String Quartet No. 1, String Quartet No. 2" n. d. 15 13 Cassette Tape: "Advanced Counterpoint Exercises" n. d. 15 14 Cassette Tape: "Student Comp. Concert Nov. 95" 1995 15 15 Cassette Tape: "String Quartet No. 3, String Quartet No. 4" n. d. 15 16 Cassette Tape: "Piano Concerto" n. d. 15 17 Cassette Tape: "Phyllis Harmon, Left of Christmas Day" n. d. 15 18 CD: "Strunk References Recording Jan 2011 raw edit" 2011 15 19 CD: "Strunk raw takes disc 1" n. d. 15 20 CD: "Strunk raw takes disc 2" n. d. 15 21 CD: "Marian Petrescu Trio Jams Concert 2/22", 2011 15 22 CD: "Capital Composers Alliance Concert June 21", 1998 15 23 CD: "Simple Gifts", Terry Klinefelter n. d.

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