Juan Gersón : pintor indigena del siglo XVI, simbolo del mestizage Tecamachalco Puebla /

"In the 16th century a native painter created an astounding cycle of paintings for the Francisco Church of Tecamachalco, in what is now the state of Puebla. The cycle illustrates the events recounted in the biblical Apocalypse of St. John, painted on ovals of traditional indigenous bark paper,...

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Bibliographic Details
Other Authors: Carillo Azpéitia, Rafael
Format: Book
Language:Spanish
Created: México : Fondo Editorial de la Plástica Mexicana, 1972.
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LEADER 01575cam a2200277Ia 4500
001 ocm09105271
008 830106s1972 mx a 000 0 spa d
035 |a (OCoLC)9105271 
040 |a VYE  |c VYE  |d OCLCG  |d GZQ 
049 |a GZQC 
050 4 |a ND259.G36  |b J83 1972 
245 0 0 |a Juan Gersón :  |b pintor indigena del siglo XVI, simbolo del mestizage Tecamachalco Puebla /  |c [ntroducción, Rafael Carrillo Azpéitia] 
260 |a México :  |b Fondo Editorial de la Plástica Mexicana,  |c 1972. 
300 |a 1 portfolio, 56 p., 21 leaves of col. plates :  |b ill. ;  |c 39 cm. 
336 |a text  |b txt  |2 rdacontent. 
337 |a unmediated  |2 rdamedia. 
338 |a volume  |2 rdacarrier. 
500 |a Cover title. 
500 |a "Slipcase shows slight shelf wear"--Accompanying local notes. 
504 |a Bibliography: p. 10. 
520 |a "In the 16th century a native painter created an astounding cycle of paintings for the Francisco Church of Tecamachalco, in what is now the state of Puebla. The cycle illustrates the events recounted in the biblical Apocalypse of St. John, painted on ovals of traditional indigenous bark paper, known as amate. The senes dramaticallly depict people, supernaturals and surreal landscapes in vivid reds, blues and earth colors that seem to have faded little since they were painted in 1562. The photographs are by one of Mexico's renowned photographers"--Accompanying local notes. 
590 |a Chiapas and Central America collection. 
599 |a CRRA. 
600 1 0 |a Gerson, Juan,  |d active 1561-1592. 
700 1 |a Carillo Azpéitia, Rafael. 
910 |a mds